In the Press!

"it’s part possession, part comedy, part existential meltdown, and entirely unforgettable"

"a perfect mixture of pathos, comedy, and horror"

"witty and well-scripted, worthy of Cole Porter having a dark turn"

"an eerie atmosphere and music that made Hell feel very real"

"This musical’s strongest moments lie in its ability to leave your skin crawling – knowing evil exists, and that it doesn’t always look the way you expect."

"Faustine dives into questions of privilege, desperation, and guilt as they apply to women who long for greatness"

"some people are adamant that this is a musical, others beg us to call it a pop opera, and the loudest of all claim it can only be referred to as an opera"

"part possession, part performance art, part fever dream"

"the theatricality of Sondheim, the drama of Lloyd Webber, and the lyricism of Tim Rice"

"left awe-struck and wanting more"

"pure uncut raw magic"

"beautifully eclectic songs that were not only reminiscent of Catholic hymns, but also Philip Glass and Frank Zappa"

"particularly resonant for these times"

"tonally cohesive and very refined"