

In the Press!
“Sarah has a clear flair for musical storytelling”
- Erato Kremmyda, award-winning composer of Marie in Tomorrowland
Faustine Team Interview for Werrrk.com
"it’s part possession, part comedy, part existential meltdown, and entirely unforgettable"
Fringe Review: Faustine
Five Stars
"a perfect mixture of pathos, comedy, and horror"
"witty and well-scripted, worthy of Cole Porter having a dark turn"
Fringe Review: Faustine
Four Stars
"an eerie atmosphere and music that made Hell feel very real"
"This musical’s strongest moments lie in its ability to leave your skin crawling – knowing evil exists, and that it doesn’t always look the way you expect."
Faustine EdFringe Top Pick
Get Your Coats On Interview
"Faustine dives into questions of privilege, desperation, and guilt as they apply to women who long for greatness"
Faustine: Academic Bargains at the Fringe
"some people are adamant that this is a musical, others beg us to call it a pop opera, and the loudest of all claim it can only be referred to as an opera"
Faustine Is a Hell of a Good Time

"part possession, part performance art, part fever dream"
"the theatricality of Sondheim, the drama of Lloyd Webber, and the lyricism of Tim Rice"
A Deal with the Devil Never Looked So Good
"left awe-struck and wanting more"
"pure uncut raw magic"
All the World's a Stage: Ulysses Missa Review
"beautifully eclectic songs that were not only reminiscent of Catholic hymns, but also Philip Glass and Frank Zappa"
Philly Fringe 2020: Apartment 20 presents ‘Lilith and Her Demons’
"particularly resonant for these times"








